“New Horizons”
Garibaldi Trio
José Franch Ballester, clarinet
Marina Thibeault, viola
David Fung, piano
NEW HORIZONS is a new FMCKC initiative to explore and promote Chamber Music of living composers in the hands of today’s foremost artists.
New Horizons is included as a free add-on with the Gold Subscription and as part of Club35. It is available as a special $15 add-on price with the curated subscritpsions (International Chamber Music, Early Music, and Master Pianists.)
Single tickets on Sale in early September.
Free parking available at the venue.
$15 RUSH for Educators, First Responders, and Military/Veterans available for 48 hours prior to a performance in Tier 2 and General Admission. Valid ID required at Will Call
$10 RUSH OPTION for Students, available for 48 hours prior to a performance in Tier 2 and General Admission. Valid ID required at Will Call.
Note: Educators, FIrst Responders, and Military Veterans can benefit from 30% discount and Students can benefit from a 50% discount, as well as the Club35 offer.
Dobrinka TABAKOVA (b.1980): Suite in Jazz Style for Viola and Piano (2009)
Stephen CHATMAN (b.1950): Garibaldi Suite for Viola, Clarinet and Piano (2023)
Jörg WIDMANN (b.1973): Fünf Bruchstücke (Five Fragments) for Clarinet and Piano (1997)
Lowell LIEBERMANN (b.1961): Trio for Viola, Clarinet and Piano, Op. 128 (2015)
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The multi-award-winning Spanish clarinetist Jose Franch-Ballester (FrAHnk Bai-yess-TAIR) is considered one of the finest classical soloists and chamber music artists of his generation. He has been hailed for his “technical wizardry and tireless enthusiasm” (The New York Times), his “rich, resonant tone” (Birmingham News), and his “subtle and consummate artistry” (Santa Barbara Independent). The recipient of a prestigious Avery Fisher Career Grant in 2008, and winner of both the Young Concert Artists and Astral Artists auditions, he is a solo artist and chamber musician in great demand.
As a concerto soloist Mr. Franch-Ballester made his New York debut in 2006 with the Orchestra of St. Luke’s at Lincoln Center. He has also performed with the BBC Concert Orchestra, Louisville Orchestra, Princeton Symphony Orchestra, Santa Barbara Chamber Orchestra, Wisconsin Philharmonic, Louisiana Philharmonic, Hilton Head Symphony Orchestra, Malaysian Philharmonic Orchestra, and various orchestras in his native Spain.
Mr. Franch-Ballester made his New York recital debut at the 92nd Street Y, and has appeared in recital at the Isabella Stewart Gardner Museum in Boston, Iowa State University, the Buffalo Chamber Music Society, and the Mondavi Center for the Performing Arts. He performs regularly with the Chamber Music Society of Lincoln Center both in New York City and on tour, and also acts as principal clarinet of the Santa Barbara-based chamber music collective Camerata Pacifica.
U.S. festival appearances include the Saratoga Chamber Music Festival, Music@Menlo, Mainly Mozart, Bridgehampton Chamber Music Festival, Music from Angel Fire, Chamber Music Northwest, and Skaneateles Festival. Abroad, Mr. Franch-Ballester has appeared at the Usedomer Musikfestival in Germany, the Verbier Festival in Switzerland, the Cartagena Festival Internacional de Música in Colombia, the Kon-Tiki Festival in Norway, and the Young Concert Artists Festival in Tokyo.
Mr. Franch-Ballester is artistic director of miXt, an ensemble of award-winning soloists from the Young Concert Artists roster that he founded in the 2012-13 season. Performing in a variety of configurations, miXt made its New York and Washington debuts in YCA’s series at Merkin Hall and the Kennedy Center. His instrumental collaborators have also included the American, St. Lawrence, Jupiter, and Modigliani string quartets.
An avid proponent of new music, he performed the world premiere of Jake Heggie’s Winter Roses in 2004 with mezzo-soprano Frederica von Stade at Camerata Pacifica. During the 2011-2012 season, he premiered two new works by Spanish composers: the II Concerto by Oscar Navarro, with the Orquesta Sinfónica del Principado de Asturias in Oviedo, Spain; and Concerto Valencia by Andrés Valero-Castells, with the Orquesta de Valencia. Mr. Franch-Ballester’s commitment to new music has led him to commission and work with such contemporary composers as Kenji Bunch, Paul Schoenfield, Edgar Meyer, William Bolcom, George Tsontakis, Andrés Valero-Castells, Oscar Navarro, and Huang Ruo. He has also been a dedicated music educator, developing new audiences through countless educational concerts and workshops for young people and community audiences.
Performing regularly in Spain, Mr. Franch-Ballester has appeared with the Orquesta de Radio y Television Española, Orquesta de Valencia, Orquesta Sinfónica del Principado de Asturias, and Orquesta Sinfónica del Valles. He is the founder of Jose Franch-Ballester & i amics (and friends), a series of concerts in which young musicians from all over the world are presented in Mr. Franch-Ballester’s hometown of Moncofa and throughout the Valencia area.
Mr. Franch-Ballester’s recordings include a Deutsche Grammophon CD of Bartók’s Contrasts with members of the Chamber Music Society of Lincoln Center. In 2010 he was awarded the Midem Prize for “Outstanding Young Artist,” which aims to introduce currently unsigned recording stars of the future to the classical recording industry. “Jose Franch-Ballester & Friends,” a CD of chamber music released by iTinerant Classics in 2011, includes the premiere recording of Oscar Navarro’s Creation and works by Brahms, Stravinsky, and Paul Schoenfield. Mr. Franch-Ballester can also be heard on “Piazzolla Masterworks,” a CD recorded with cellist Young Song and pianist Pablo Zinger that contains works by Astor Piazzolla.
Born in Moncofa into a family of clarinetists and Zarzuela singers, Jose Franch-Ballester began clarinet lessons at the age of nine with Venancio Rius, and graduated from the Joaquin Rodrigo Music Conservatory in Valencia. In 2005 he earned a bachelor’s degree from the Curtis Institute of Music in Philadelphia, where he studied with Donald Montanaro. Mr. Franch-Ballester’s mentors also include Ricardo Morales, principal clarinet in the Philadelphia Orchestra.
Jose Franch-Ballester is represented in the Americas by Sciolino Artist Management. He is a Backun Artist.
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Renowned for her “rich and deep sound as well as her virtuosity and exceptional enthusiasm” (The Strad), violist Marina Thibeault invests the musical scene with an ever renewed fervor as a chamber musician, concert artist and soloist. Convinced that one must “undergo everything, experience everything, face all obstacles, all contradictions” (Pierre Perrault), she sails through the sometimes tumultuous waves of a carefully curated repertoire, approaching old and new works with the same commitment. Through her practice, she constantly questions the traditional place of the performer in order to embody a poetic approach as well as a quest to surpass herself physically and spiritually.
Named Revelation of the Year 2016-2017 by Radio-Canada, Marina has since been invited to perform as a soloist internationally with the Philharmonic Orchestra of the Northern Czech Republic, the Orchestra of Mariánské Lázně, the Chamber Orchestra of Santiago, as well as in recital in Verbier. In Canada, audiences have heard her with the Metropolitan Orchestra, La Sinfonia Toronto, and the Agora Symphony Orchestra, among others. As a chamber musician, she has collaborated with members of the Guarneri Quartet and the Cleveland Quartet, as well as with Charles Richard-Hamelin, Marie-Nicole Lemieux and Johannes Moser. Her interest in new music has led her to work with composers John Corigliano, Joan Tower and Krzysztof Penderecki.
Marina has recorded three albums on ATMA Classique, all of which have received strong critical and public acclaim. Her first release, Toquade (2016), was selected in the “Classical Album of the Year” category at the 2017 ADISQ Gala as well as in the “Record of the Year” category at the 2018 Prix Opus. Recorded in 2019, ELLES has contributed to the recognition of the work of women composers who are unfairly forgotten or unknown to the general public. Her most recent musical adventure, Viola Borealis (2022), reflects her willingness to connect different languages within creative programming. With this album, she revisits her own relationship to the north by traversing works by Latvian composer Pēteris Vasks and Anishinaabe artist Melody McKiver, as well as the very first viola concerto, composed around 1716 by Telemann.
Highly awarded with scholarships and honors, Marina is a graduate of McGill University and the Curtis Institute of Music. Since 2019, she has had the privilege of teaching at the University of British Columbia as an assistant professor where she helps to awaken and affirm the sometimes unexpected artistic vocations of her students.
Having studied the connections between sports psychology and performance as part of her DMus, Marina happily enriches her artistic practice by exploring the surrounding landscapes on her bike or run.
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Praised for his “ravishing and simply gorgeous” performances in the The Washington Post, pianist David Fung is widely recognized for interpretations that are elegant and refined, yet intensely poetic and uncommonly expressive. With a repertoire of over sixty concertos, Mr. Fung regularly performs as a soloist with the world’s premier ensembles including the Cleveland Orchestra, the Detroit Symphony, the Israel Philharmonic, the Los Angeles Philharmonic, and the San Francisco Symphony working with conductors such as Marin Alsop, Gustavo Dudamel, Stanislav Kochanovsky, Lan Shui, and Christian Zacharias. An incisive interpreter of Mozart and Bach, Mr. Fung has collaborated with the Israel, Los Angeles, Melbourne, Orpheus, and Saint Paul Chamber Orchestras, and the Orchestra of St. Luke’s.
Mr. Fung’s highly acclaimed debut with the Cleveland Orchestra at the Blossom Music Festival was “everything you could wish for” (Cleveland Classical), and he was further praised as an “agile and alert interpreter of Mozart’s crystalline note-spinning” (The Plain Dealer). In the following week, he performed Rachmaninoff’s Rhapsody on a Theme of Paganini at the Beijing National Stadium for their Olympic Summer Festival. In 2021, Mr. Fung made his Los Angeles Philharmonic debut partnering with Yuja Wang and Gustavo Dudamel following his performances with the Detroit Symphony celebrating the Orchestra Hall Centennial. In addition to the West Coast Premiere of Chen Qigang’s Piano Concerto, “Er Huang”, with the San Francisco Symphony, other recent solo engagements include performances with the Albany Symphony, Arkansas Symphony, Charleston Symphony, Kitchener-Waterloo Symphony, Israel Symphony, Las Vegas Philharmonic, Marin Symphony, the National Orchestra of Belgium, the National Taiwan Symphony, Niagara Symphony, New Haven Symphony, New Japan Philharmonic, Nordwestdeutsche Philharmonie, San Diego Symphony, Southwest Florida Symphony, Sun Valley Symphony, Symphony Tacoma, Tampere Philharmonic, and Xiamen Philharmonic, as well as the major orchestras in Australia, including the Melbourne, Queensland, and Sydney Symphony Orchestras.
As a recitalist and chamber musician, Mr. Fung is a frequent guest artist at prestigious festivals and venues worldwide. Notable festival appearances include Aspen, Blossom, Caramoor, Edinburgh, Hong Kong Arts, Ottawa, Ravinia, and Tippet Rise. At his Edinburgh International Festival debut, the Edinburgh Guide described Mr. Fung as being “impossibly virtuosic, prodigiously talented... and who probably does ten more impossible things daily before breakfast.” He has captivated audiences at Carnegie Hall, the Kennedy Center, Lincoln Center, Louvre, Gewandhaus, Palais des Beaux-Arts, and Zürich Tonhalle, as well as the major halls in Asia, including the Beijing Concert Hall, Guangzhou Opera House, Hong Kong Town Hall, Seoul Arts Center, Shanghai Oriental Art Center, Taiwan National Concert Hall, and Tianjin Grand Theater. Notable collaborations include performances with the Brentano, Dover, Jupiter, and Verona Quartets.
In August 2020, the Steinway and Sons Label released Mr. Fung’s Transcendent Beethoven, which was featured on Apple Music’s Best of Beethoven, a list of outstanding releases of the composer during the 250th anniversary of his birth. The album follows the label’s acclaimed 2019 release of Mr. Fung’s first installment of the complete Mozart sonatas. Fung’s Mozart album was called “undeniably bold” (AllMusic Guide) and praised by Boston’s WCRB as “heartbreaking”, adding that “Fung relishes the art of exploring Mozart’s characters – giving them freedom to breathe, and casting them in darkness and light to help reveal their humanity.” Mr. Fung can also be heard on more than a dozen accoladed releases by Pentatone, Orchid, Genuin, Yarlung, and Naxos.
Mr. Fung garnered international attention as a laureate of the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv. In Tel Aviv, he was further distinguished by the Chamber Music and Mozart Prizes, awarded in areas in which Mr. Fung has a passionate interest. He was the first piano graduate of the prestigious Colburn Conservatory in Los Angeles where he studied with John Perry, going on to work with Peter Frankl and Claude Frank at Yale University, and Arie Vardi at the Hochschule für Musik, Theater und Medien in Hannover. In 2002, he won the ABC Young Performer of the Year Award while studying with Margaret Hair in Sydney and has received further artistic guidance from piano luminaries including András Schiff, Alfred Brendel, and Leon Fleisher. Making his home in Vancouver and New York Ciry, Mr. Fung serves on the faculties of the Manhattan School of Music and the University of British Columbia and is a curator at the Chan Center for the Performing Arts in Vancouver. Mr. Fung is a Steinway Artist.